jamesnotjim.com

More fun with GearBox’s “Analog Delay w/ Modulation” effect simulation. I recorded this Monday night, and Monday was a very good day, hence the title:

If you’re a TonePort user, here are the settings:

Time: 1005 ms
FX Tempo: 240.0
Feedback: 100%
Mod Speed: 76%
Mod Depth: 88%
Mix: 50%

I used my trusty ‘85 Fender Jazz Bass Special, sporting a brand new set of Hartke HSB 440 strings (new strings always make me want to play my bass).

[Update (07/02/08): Here’s a direct link to the mp3, if you’d like to download a copy.]

I was playing around with delays in GearBox and came up with this variation on a theme from “Ocean.” It’s all done in one pass (just bass + delay).

Here’s a direct link to the mp3, if you’d like to download a copy.

Bassist and FaceBook friend of mine Andy Long uses ReverbNation to share his music. So I set up an account for James, Not Jim, just to try it out. If you’re on that service, please become a fan. They also have an player widget:

Update: If you’re on Facebook, you can become a fan of the project via this link.

It has been ages since I finished a track for the James, Not Jim project. But, now that the semester is finally over, there may be hope. I decided that I’m too much of a perfectionist when it comes to audio and that I should take the open source mantra of “release early, release often” to heart. So dug through my James, Not Jim project folder and did quick and dirty mp3 mixes of everything that looked remotely promising. Here they are, warts and all. Tell me which ones you like, which ones you don’t. Constructive criticism and outright snarking is welcome:

Araby

Brahms Lulaby

Chang, Chang

Circus

First Run with Gearbox

Funky Wav

Loopy Llama Test

One Four Five

Portrait

Postage

Second Run with Gearbox

Smoove

If you’d rather download the mp3’s, just hit the audio folder:
jamesnotjim.com/audio/

Page–amazing guitarist for Vore and a long-time friend of mine–are collaborating on some tracks. We intend them to be instrumental rock/post-rock in feel. These may or may not wind up a part of the James, Not Jim catalog. But I’m enjoying working on them and will create a page for them somewhere when they’re done. I sent him a new mix this morning. I’m eager to see what he’ll do with it.

Bassplaying.com is in the middle of our third Bass-in-a-Box project (BassIAB 2007.3). I’ve made some progress on a track for that. And I’ve made some progress on a couple of James, Not Jim compositions, one of which is very nearly ready to record.

I got up early this morning and worked on all of these projects before jumping in the shower and getting ready for work. So, already, the TonePort is paying off. It’s allowing me to record at times when I wouldn’t ordinarily be able to. And it’s really great to start off the day playing bass. It’s like a morning workout of a different sort.

I set up a label page for James, Not Jim on Last.fm.  You can use it to stream and/or download tracks.  Think of it as a classier version of MySpace (where we also have a page, of course).

I’ve bought a new piece of recording gear this week:  a Line6 TonePort UX2.  It’s an audio interface (to replace my old MidiMan AudioBuddy) which also comes with some great software called GearBox which allows me to record silently, via USB, rather than micing a cab.  Gearbox includes lots of amp and cab models from Line6’s POD line.  I’ve spent the past two evenings dialing in sounds for my bass and guitar and testing how well it records with Ableton Live.  So far, I’m super-happy.  I bought this thing mainly so I could record in the middle of the night without bothering anyone, and I think it’s going to be perfect for that.

So, hey, maybe I’ll actually record some new music for you.  What do you think?

I just published a new interview at Bassplaying.com.  This one is with one of my childhood idols, Billy Sheehan, who is an amazing bassist.

I really haven’t done much recording since I upgraded from Ableton Live 5.2 to Ableton 6. This is partly because I’ve been busy with other things, but it’s also because I got bit by a bug in the upgrade process that makes Live loose track of samples. This messed up the few tracks I had recorded in Live 5.2 since switching to it as my DAW of choice.

I had taken the precaution of backing up my Live 5.2 library before I upgraded, but I didn’t feel like trying to fix a computer problem. Part of the reason I switched to Live from Acid is, for the most part, Live “just works” and lets me focus on recording music rather than fixing technical problems with my platform. And I’ve been using that as an excuse to not record ever since.

But I decided I needed to get working on some new projects. Over at bassplaying.com, we’re doing a little experiment called the BP Recording Project. The original idea came up in this thread. We worked out the details in another thread and people are posting their results to this one. The basic idea is simple. One member of the site posted a file of a computer generated song and we’re all taking it, adding a bass line, posting the results, and discussing it. It’s not really so much about the song itself as it is an experiment in how different bass players approach a song. And since I wanted to contribute, I had to fix my DAW.

And fixing it, it turns out, was dead simple thanks to the fine folks at Ableton, who posted a Live Pack to fix the problem (the Live 5 Compatibility Pack). I just downloaded and installed it and now all the tracks I did in 5.2 work perfectly in 6.0.3 (I went ahead an upgraded while I was at it). And now I’m inspired to do some work.

Not yet, anyway.  But that’s the plan.  The fall got very busy and I didn’t have time to work on much.  My upgrade from Ableton Live 5 to version 6 has a problem I need to work out at the moment.  And I’ve got some grounding buzz in the studio that’s killing me.  But I am eager to get down to some productive work in the next week or two.  So don’t count me out yet.  :)

You can now listen to James, Not Jim tracks via a Flash-based mp3 player embedded in each music page.

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