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	<title>Comments on: End of year project review</title>
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	<link>http://jamesnotjim.com/2007/12/end-of-year-project-review/</link>
	<description>a music site of solo recordings by james "wheatbread" martin</description>
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		<title>By: wheat</title>
		<link>http://jamesnotjim.com/2007/12/end-of-year-project-review/comment-page-1/#comment-2195</link>
		<dc:creator>wheat</dc:creator>
		<pubDate>Wed, 19 Dec 2007 20:38:33 +0000</pubDate>
		<guid isPermaLink="false">http://jamesnotjim.com/archives/30#comment-2195</guid>
		<description>I just listened to these as mp3 and it&#039;s amazing how bad the drums sound now that they&#039;ve been compressed.  I&#039;ll have to check the settings on my mp3 encoder.</description>
		<content:encoded><![CDATA[<p>I just listened to these as mp3 and it&#8217;s amazing how bad the drums sound now that they&#8217;ve been compressed.  I&#8217;ll have to check the settings on my mp3 encoder.</p>
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		<title>By: wheat://wheatdesign.com</title>
		<link>http://jamesnotjim.com/2007/12/end-of-year-project-review/comment-page-1/#comment-2194</link>
		<dc:creator>wheat://wheatdesign.com</dc:creator>
		<pubDate>Wed, 19 Dec 2007 20:18:16 +0000</pubDate>
		<guid isPermaLink="false">http://jamesnotjim.com/archives/30#comment-2194</guid>
		<description>Thanks, Shepcat.  I knew I could count on you for some commentary.  I decided to do &quot;Brahm&#039;s Lullaby&quot; for my (soon to be born) son.  I had planned an entire EP of lullaby&#039;s.  So far, this is the only one I&#039;ve worked up.  But, maybe I should take the backing tracks and try to come up with another melody for it, to make it an original work.  

&quot;One Four Five&quot; is one I had entirely forgotten about until I did this bit of winter housekeeping.  I&#039;ll expand on that one.  I can noodle over that progression forever.  The trick will be finding a strong melody for it.  

&quot;Araby&quot; is a track I&#039;ve had around for years but have never recorded.  That one is close to done. Some of the bridge parts (toward the end) are brand new.  So I&#039;m still tinkering with them.  

Good point about the percussion.  I really could use a drummer as a collaborator.  I lay the drum track first and rarely revisit it.  But all of the drum tracks need work.  And I&#039;ll take your advice about mixing them in lower.  

I recorded &quot;Postage&quot; as a backing track for a guitarist friend, who was going to add some lines over the top.  But that never really happened, so I&#039;m going to take it myself and add a melody to it.  I have another mix of it where all the parts are repeated half as many times.   So I&#039;ll go back to that one and try to find a melody.  Good call on the Police vibe.  That whole piece stared out with the electric guitar, which is a Telecaster (like Summers&#039;) and the most Police-ish patch I could find.  :)</description>
		<content:encoded><![CDATA[<p>Thanks, Shepcat.  I knew I could count on you for some commentary.  I decided to do &#8220;Brahm&#8217;s Lullaby&#8221; for my (soon to be born) son.  I had planned an entire EP of lullaby&#8217;s.  So far, this is the only one I&#8217;ve worked up.  But, maybe I should take the backing tracks and try to come up with another melody for it, to make it an original work.  </p>
<p>&#8220;One Four Five&#8221; is one I had entirely forgotten about until I did this bit of winter housekeeping.  I&#8217;ll expand on that one.  I can noodle over that progression forever.  The trick will be finding a strong melody for it.  </p>
<p>&#8220;Araby&#8221; is a track I&#8217;ve had around for years but have never recorded.  That one is close to done. Some of the bridge parts (toward the end) are brand new.  So I&#8217;m still tinkering with them.  </p>
<p>Good point about the percussion.  I really could use a drummer as a collaborator.  I lay the drum track first and rarely revisit it.  But all of the drum tracks need work.  And I&#8217;ll take your advice about mixing them in lower.  </p>
<p>I recorded &#8220;Postage&#8221; as a backing track for a guitarist friend, who was going to add some lines over the top.  But that never really happened, so I&#8217;m going to take it myself and add a melody to it.  I have another mix of it where all the parts are repeated half as many times.   So I&#8217;ll go back to that one and try to find a melody.  Good call on the Police vibe.  That whole piece stared out with the electric guitar, which is a Telecaster (like Summers&#8217;) and the most Police-ish patch I could find.  :)</p>
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		<title>By: Shepcat</title>
		<link>http://jamesnotjim.com/2007/12/end-of-year-project-review/comment-page-1/#comment-2193</link>
		<dc:creator>Shepcat</dc:creator>
		<pubDate>Wed, 19 Dec 2007 18:55:15 +0000</pubDate>
		<guid isPermaLink="false">http://jamesnotjim.com/archives/30#comment-2193</guid>
		<description>My impressions after a couple of listens:If the melody weren&#039;t so immediately recognizable, your &quot;Brahm&#039;s Lullaby&quot; sounds like contemplative pre- or post-gunfight music from a Western. Not quite Leone (and hence, Morricone) or Peckinpah, but a nice, solid John Sturges effort.Twenty-two seconds of &quot;One Four Five&quot; is not enough. I&#039;d like to hear where you&#039;re taking that. It deserves a longer treatment like &quot;Araby,&quot; which I also like.&quot;Circus&quot; in particular sounds nimble, but on both it and &quot;Portrait,&quot; I wish the percussion, which is a little too metronomic, was mixed at a lower volume so not to distract from your playing.&quot;Postage&quot; sounds like something The Police would have recorded, circa &lt;i&gt;Zenyatta Mondatta.&lt;/i&gt; A little repetitious at first, though; I might like to hear the changeover come sooner than the 1:18 mark.And I get the strongest Stanley Clarke vibe from &quot;Funky Wav.&quot;</description>
		<content:encoded><![CDATA[<p>My impressions after a couple of listens:If the melody weren&#8217;t so immediately recognizable, your &#8220;Brahm&#8217;s Lullaby&#8221; sounds like contemplative pre- or post-gunfight music from a Western. Not quite Leone (and hence, Morricone) or Peckinpah, but a nice, solid John Sturges effort.Twenty-two seconds of &#8220;One Four Five&#8221; is not enough. I&#8217;d like to hear where you&#8217;re taking that. It deserves a longer treatment like &#8220;Araby,&#8221; which I also like.&#8221;Circus&#8221; in particular sounds nimble, but on both it and &#8220;Portrait,&#8221; I wish the percussion, which is a little too metronomic, was mixed at a lower volume so not to distract from your playing.&#8221;Postage&#8221; sounds like something The Police would have recorded, circa <i>Zenyatta Mondatta.</i> A little repetitious at first, though; I might like to hear the changeover come sooner than the 1:18 mark.And I get the strongest Stanley Clarke vibe from &#8220;Funky Wav.&#8221;</p>
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